Showing posts with label opinion. Show all posts
Showing posts with label opinion. Show all posts

OPINION | White And Rose Gold, Skipping A Season

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shirt-dress with transparent sleeves Simone Rocha for Topshop / Knit sweater T by Alexander Wang / Rose gold eagle claw earrings Pamela Love / Rose gold metallic loafer pumps Alexander Wang / Tailored wool pants Calvin Klein


Skipping a season

The real cold hasn't even started but I'm already focussed on getting my wardrobe ready for spring. Fashion has become so fast and access is so easy that we're already bored of the collections before we can even try them on in a store. (Acne's spring/summer collection will hit stores in December, isn't that insane?)

Images from the runways are hyped on every website and in every magazine 6 months before we can even buy them. Bloggers and press have already had the chance to see, touch and try on the summer garments two weeks ago during the press days. Right now is when these pieces are still coveted, by the time that we can actually purchase them they will be old news. Smart move from Acne to strike while the iron is still hot and start selling their white leather jackets and thin pastel jumpers next month.

It's going way too fast for me, the clothes hanging in stores right now seem outdated, so I've decided to skip a season and will look for items that I can wear both in winter and spring. Like this loosely knitted T by Alexander Wang jumper, a perfect winter staple but I'd also wear it with a pair of cycling shorts, bare legs and high heels.

OPINION | 20 Euro Leather Jacket

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On the wall: The two Violettas by Helmut Newton, Look from Land Lookbook, YSL lipstick packaging folded open


Just above the hip, boxy shape, no additional zippers or frills, thick leather. And only 20 Euros. I found it at a seconhand market last weekend. Besides the fantastic bargains here's another reason(this is me being moralistic) to get vintage or secondhand clothes; I came accross an astonishing bit of data the other day; in the UK an average person disposes 55 kilo's of clothing and textiles each year. 1 kilo of cotton textile requires 11000 litres of water. Can you do the math? (source: imf)

LIFE | School & Writing For The Fashion Business

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Briefcase: Vintage

Notebooks, Agenda: Bijenkorf

Book: Writing for the fashion business by Kristen K. Swanson and Judith C. Everett





Today was a day of shopping, not for the new fall arrivals but for school supplies. Summer has ended and it is time to get back into those school benches. I study journalism but have aspired to specialize in fashion journalism long before I even started studying. I've been trying to built an archive of fashion magazines and books that will serve me as references. A book that gets picked up so often that I do not even bother to put it back on the shelf is; Writing for the fashion business by Kristen K. Swanson and Judith C. Everett.



For everyone who has ambitions like mine I recommend you to buy this book. Whether you want to work in public relations, become a magazine editor, write critical pieces for newspapers or make scripts for videos. This is a guide full of all the basics that you will need to know. The content of the journalistic chapters is very much like the book we use at school(Basisboek Journalistiek) Basic book for journalistic writing. It provides writing techniques that are tuned to the fashion industry. The PR and marketing chapters provide a good insight on how the opposite side of fashion works. How advertisers work to get brands out there and what their strategies are to manipulate the media.



The book explaines practical things like how to do an interview, how to review a fashion show and even has a few pages on how to avoid sexist writing. It also shows how to write letters if you want to borrow clothes from a brand or get seats at fashionweek. It is an immensly handy book to have on the bookshelf in case you are in doubt about anything during your writing process. The content on these 604 pages is too diverse to give a proper review on. But I can almost assure you that whatever question about fashion and media that pops into your mind right now; Yes the answer is in this book.

EXPERIMENT | DONE Wearing The Same Dress For 30 Days

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30 days, 15 washes later...

How does it feel like to have a fixed look, a uniform, an outfit planned ahead?
This was probably the best part. It was liberating to not have had one 'clothing-crisis' during this month, not once have I pulled all my clothes out of my closet in an hysterical nothing-to-wear-moment, not once did getting dressed take more than 20 minutes. Because of the limited options you have with one garment you automatically make a quick decision about what suits the occasion best. My typical everyday outfit consisted of cut off leggings, the dress + 1 piece outerwear, usually a light sweater.

Practical question: What about washing?
I washed the dress every other day by hand, in lukewarm water. It never went into the washing machine or dryer. It was handled with more care than the washing perscription instructed.

How is the quality of this COS dress?
After two weeks I started to hate the rag that was once a structured dress which I was obliged to wear every day. Putting it on made me feel like a mess, not put together, sloppy. It became harder to make an acceptable outfit with it as the quality continued to deteriorate.

After two weeks, the fabric was completely stretched out, had lost it's heaviness and the initial shape and design of the dress were completely ruined by this. On the 16th day, one of the seems came loose and the bottom had started to fray. By this time the garment was in such bad shape that it was (already) ready for disposal.

One positive feature about the fabric was that it seemed to be imune for stains. Just to name a few things that happened to it during the past 30 days; spaghetti with red sauce, green grass marks from a picknick without blanket, a drunk spilled half a glass of beer on it, accidental pen tripes and even some blood stains from a guy that was sitting next to me who got the most insane nose bleed I've ever seen. And it is still white as snow.

How important is a large wardrobe?
Halfway the experiment I came to the sad conclusion that a large wardrobe was important to me. But later I realized that the clothes I had been missing were only a few pieces: a button up shirt and trousers. Looking back, a basic white dress was versatile enough to be worn every day to any given occasion; it accompanied me to a few gallery openings, to school, on the couch on lazy sundays, during nights out aswel as to quick trips to the supermarket.



Personal conclusion

I love clothes and honestly speaking I want to have a big collection of them. There is a but; quality wins it over quantity every time. I want to keep all my garments for life and am sad that the great design of this COS dress only lasted for two weeks. This experiment made me realize even more that I don't actually need as much clothes as I initially thought. With this in mind I can be even more critical about what I am adding to my collection. Because that is what I'd like to built: a collection of great quality, beautifully designed items.

The idea of a fixed look, a uniform that doesn't change every season but is a reflection of ones personality is very interesting, though a close to impossible thing to put together. Perhaps by the time I'm 50 I'll be done dressing up and I'll know myself good enough to be able to find an outfit that perfectly resembles my personality that I could wear every day for the rest of my life.

EVENT | Iris van Herpen in Central Museum, Utrecht

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The exposition about the work of Iris van Herpen and her inspirations opens today at Central Museum in my hometown Utrecht; 'The new craftsmanship'. Yesterday night I got a chance to join the press opening, talk to Iris and take a few snapshots of the collection. The idea of the exposition is to put the sources of inspiration that Iris gets from art next to the final finished designs.

A curious thing was that all of her inspirations coincidentally happened to be in the main collection of the Central Museum. Therefor it didn't feel like an authentic set up, but rather like an exposition to show how great the museum's newly purchased pieces from Iris van Herpen fit in their collection.

Also it was interesting to hear that in the speech of the curators, they didn't refer to her work as art but explicitly named it fashion. While the fashionworld likes to put the art-tag on her designs. However, the exposition was mainly focussed on fashion. The old artworks from the museum served a decorative purpose, nothing more than a nice background setting for her designs. Like for example the leather gold shoes were presented on a shiny pillar with a seventeenth century Dutch heritage gold printed leather wallpapewith hanging behind them.

Nonetheless it is always a joy to see the craftmanship, detailing and great dedication Iris van Herpen puts in her designs from up close. If you happen to be in Utrecht before October 29, save some time to pay a visit to the Central Museum.